Verdi$89980$ - перевод на Английский
![[[Arrigo Boito]] and Verdi at Sant'Agata in 1893](https://commons.wikimedia.org/wiki/Special:FilePath/Boito e Verdi.jpg?width=200 "[[Arrigo Boito]] and Verdi at Sant'Agata in 1893")
![[[Emanuele Muzio]], Verdi's pupil and assistant](https://commons.wikimedia.org/wiki/Special:FilePath/Emanuele Muzio-Verdi's pupil & assistant.jpg?width=200 "[[Emanuele Muzio]], Verdi's pupil and assistant")
![Risorgimento!]]'' (2011) by [[Lorenzo Ferrero]]. Verdi, one of the characters in the opera, stands just left of centre.](https://commons.wikimedia.org/wiki/Special:FilePath/Final scene from the opera Risorgimento!.jpg?width=200 "Risorgimento!]]'' (2011) by [[Lorenzo Ferrero]]. Verdi, one of the characters in the opera, stands just left of centre.")
![[[Francesco Maria Piave]] whose work with Verdi included ''Rigoletto'' and ''La traviata''](https://commons.wikimedia.org/wiki/Special:FilePath/Francesco Maria Piave - Granger.jpg?width=200 "[[Francesco Maria Piave]] whose work with Verdi included ''Rigoletto'' and ''La traviata''")
![Vanity Fair]]'' (1879)](https://commons.wikimedia.org/wiki/Special:FilePath/Giuseppe Verdi 1879 Vanity Fair illustration by Théobald Chartran.jpg?width=200 "Vanity Fair]]'' (1879)")
![[[Giuseppina Strepponi]] (c. 1845)](https://commons.wikimedia.org/wiki/Special:FilePath/Giuseppina Strepponi.jpg?width=200 "[[Giuseppina Strepponi]] (c. 1845)")
 - Archivio storico Ricordi FOTO003107 - Restoration.jpg?width=200 "upright=1.3")
![[[Salvadore Cammarano]], librettist of ''Alzira'', ''La battaglia di Legnano'', and ''Luisa Miller''](https://commons.wikimedia.org/wiki/Special:FilePath/Salvadore Cammarano-2.jpg?width=200 "[[Salvadore Cammarano]], librettist of ''Alzira'', ''La battaglia di Legnano'', and ''Luisa Miller''")
![[[Teresa Stolz]] as ''Aida'' in the 1872 Parma production](https://commons.wikimedia.org/wiki/Special:FilePath/Teresa Stolz Aida 1872.jpg?width=200 "[[Teresa Stolz]] as ''Aida'' in the 1872 Parma production")
![Delfico)]]](https://commons.wikimedia.org/wiki/Special:FilePath/Verdi and Naples censor-caricature by Delfico.jpg?width=200 "Delfico)]]")
![Verdi conducting the [[Paris Opera]] premiere of ''Aida'' in 1880](https://commons.wikimedia.org/wiki/Special:FilePath/Verdi conducting Aida in Paris 1880 - Gallica - Restoration.jpg?width=200 "Verdi conducting the [[Paris Opera]] premiere of ''Aida'' in 1880")
![The Mond Crucifixion]]''](https://commons.wikimedia.org/wiki/Special:FilePath/Crocifissione gavari.jpg?width=200 "The Mond Crucifixion]]''")
![Giotto Di Bondone]]](https://commons.wikimedia.org/wiki/Special:FilePath/Last Supper (by Giotto di Bondone) - Capella degli Scrovegni (Padova).jpg?width=200 "Giotto Di Bondone]]")
![The Verdigris of the angels' costumes in ''Nativita Mistica'' by [[Botticelli]] darkened from bluish green to foliage green.](https://commons.wikimedia.org/wiki/Special:FilePath/Sandro botticelli, natività mistica, 1500, 02 angeli.jpg?width=200 "The Verdigris of the angels' costumes in ''Nativita Mistica'' by [[Botticelli]] darkened from bluish green to foliage green.")
Def: Color verde claro hecho con el acetato o el carbonato de cobre y que se emplea en pintura.
Ex: Chemical alterations (such as damages by verdigris) can destroy pigment, parchment and paper.
Определение
Википедия
Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him.
In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).
His operas remain extremely popular, especially the three peaks of his 'middle period': Rigoletto, Il trovatore and La traviata. The bicentenary of his birth in 2013 was widely celebrated in broadcasts and performances.
